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PARTCH: From “And on the Seventh Day Petals Fell in Petaluma”, Gate 5 Ensemble/Partch, | |
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P. D. Q. BACH: From Concerto for Horn & Hardart (S. 27), 1st Mvt., Chamber Orchestra/Mester, “An Evening with P.D.Q. Bach”, | |
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CORNWELL: “Penny’s Tune”, Nick O'lodeon Plays Actual Music on His Kaleidocosmicorgrig, |
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COWELL: “The Banshee”, Henry Cowell, “Sounds of New Music”, | |
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CAGE: Dance, Sounds of New Music, | |
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COWELL: “Sinister Resonance”, Henry Cowell, “Sounds of New Music”, |
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FOSS: “The Cave of the Winds” for Wind Quintet, The Dorian Quintet, | |
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SCRUGGS (BMI): “Flint Hill Special”, Earl Taylor & His Stoney Mountain Boys, “Folk Songs from the Blue Grass”, | |
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COWELL: “Exultation’, Alan Feinberg, “The American Innovator”, | |
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JORDAN (BMI): “Fundance”, Stanley Jordan, “Stanley Jordan”, |
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HARRISON: Music for Violin with Various Instruments, 3rd Mvt., William Bouton, violin, “The Music of Lou Harrison”, | |
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CRUMB: From “Ancient Voices of Children,” “Todas las tardes en Granada, todas las tardes se muere un nino”, Jan DeGaetani/The Contemporary Chamber Ensemble/Weisberg, | |
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Ichiban Hajime Wa, Fumio Matsumoto & Music-Makers, “The Sound of Japanese Music”, |
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Ten Cent Piece, Reaves White County Ramblers, “Echoes of the Ozarks”, |
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MOZART: Symphony No. 24 (K 182), 2nd Mvt., Philharmonic Symphony Orchestra of London/Leinsdorf, |
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