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Program Number 148

“Hairpins for Really Big Hair” — a program about long crescendos and decrescendos

STAMITZ:  From “Symphony in G, Opus 13/16, No. 4, 1st Mvt., London Mozart Players/Bamert, Chandos CHAN 9358

Manheim On My Mind

MOZART:  “Le nozze di Figaro” (K 492), Overture, Academy of St. Martin in the Fields/Marriner, EMI CDC 7 47014 2

WAGNER:  From “Götterdämmerung”, Berlin Philharmonic Orchestra/Maazel, Telarc CD 80154

WILLIAMS/WILLIAMS:  “Royal Garden Blues”, Sextette from Hunger, MacGregor 4506 B (45 rpm)

Big Left-Handed Hairpins

J. S. BACH:  Fugue in G minor (BWV 577), E. Power Biggs, “Bach: Great Organ Favorites”, CBS 42644

RESPIGHI:  From “Pines of Rome,” “The pines trees of the Appian Way”, West Australian Symphony Orchestra/Mester, ABC 442 348 2

TRAD.:  “Hark! The Herald Angels Sing”, Mannheim Steamroller, “A Fresh Aire Christmas”, American Gramaphone AGCD 1988

BERG:  From Lyric Suite, 6th Mvt., Juilliard String Quartet, Sony SK 66 840

Big Right-Handed Hairpins

HOLST:  From “The Planets,” “Neptune, the Mystic”, Orchestre symphonique de Montréal/Dutoit, London 417 553 2

LENNON/McCARTNEY:  “Hey Jude”, The Beatles, “Past Masters Vol. 2”, Parlophone CDP 7 90044 2

BRAHMS:  From Symphony No. 3 in F, Opus 90, 1st Mvt., Berlin Philharmonic/Karajan, Deutsche Grammophon 427 496 2

BRITTEN arr. SCHICKELE (Lyrics trad.):  Lyke Wake Dirge, Buffy Sainte-Marie, “The Best of Buffy Sainte-Marie, Vol. 2”, Vanguard VCD 33/34

Tidbit Time

P. D. Q. BACH:  Concerto for Two Pianos vs. Orchestra (S. 2 are better than one), Andante alighieri, Prof. Peter Schickele & Jon Kimura Parker/New York Pick-Up Ensemble/Mester, Telarc CD 80376

Our theme music is

MOZART:  Symphony No. 24 (K 182), 2nd Mvt. Philharmonic Symphony Orchestra of London/Leinsdorf, Philharmonic Symphony Orchestra of London/Leinsdorf, MCA Classics MCAD2 9812B


Schickele Mix is written & hosted by Peter Schickele, produced by Tom Voegeli Productions, and distributed nationwide by Public Radio International.  Funding provided by the Corporation for Public Broadcasting and your public radio station.  

Format:  “COMPOSER: Composition, Performer, Record Name, Record Label and Number”.
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