IVES: “‘Gyp the Blood’ or Hearst – Which Is Worst?”, Ensemble Modern/Metzmacher,
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LULLY: Marche du Régiment du Roy, Ensemble of Wind Instruments & Drums/Paillard, |
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BYRD: From “The Battell”, Philip Jones Brass Ensemble, “Brass Splendour”, |
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HAHN: Le Bal de Béatrice d’Este, 1st Mvt., Harmonie Ensemble, New York/ Richman, |
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TRAD.: “Son ar Skorff”, John Skelton, “Pandemonium #1”, |
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PHILIDOR: Marche à 4 Timbales, Ensemble of Drums/Paillard, |
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DRUSCHETZKY: Parthia auf Bauerninstrumenten, Marcia, Capella Savaria/Nemeth, “Musica Curiosa”, |
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MARGO/MEDRESS/SEIGEL: “March”, The Chiffons, “Greatest Recordings”, |
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PANZERI/MASCHERONI: “Una Marcia in Fa”, Francis Pica, |
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WALTON: From “Façade”, Jeremy Irons/London Sinfonietta/Chailly, |
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DON EVERLY/PHIL EVERLY: “Cathy’s Clown”, The Everly Brothers, “The Very Best of The Everly Brothers”, |
DEBUSSY: From Prélude à l’aprés-midi d’un faune, Saint Louis Symphony Orchestra/Slatkin,
CHOPIN: From Two Etudes, Opus 10, Etude in C minor, No. 12, Jon Kimura Parker,
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CARMICHAEL: “March of the Hoodlums”, Hoagy Carmichael & His Pals, “Hoagy Carmichael, Vol. One”, |
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WEBERN: From Symphonie, Opus 21, London Symphony Orchestra/Boulez, |
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AE'A: “Hilo March”, Jerry Byrd & Hui Ohana, “Hawaiian Style Guitars”, |
FUCIK: “Thunder & Blazes”, Gürzenrich Bassoon Quartet, “Fagottissimo”,
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MOZART: Symphony No. 24 (K 182), 2nd Mvt., Philharmonic Symphony Orchestra of London/Leinsdorf, |
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