|
Date |
Number |
Title |
|
1/3/1992 |
“Up and About/Steady/Octave” |
|
|
4/18/1992 |
“Harmonic Rhythm” |
|
|
5/1/1992 |
“Trance/One Chord” |
|
|
10/14/1992 |
“Surprise” |
|
|
5/9/1992 |
“French Horn/When to Stand, When to Move” |
|
|
5/16/1992 |
“Religious Music” |
|
|
11/21/1992 |
“1 Line, 2 Line, 3 Line” |
|
|
6/13/1992 |
“Speaking, Nonsense” |
|
|
6/20/1992 |
“A Capella” |
|
|
6/27/1992 |
“Trio” |
|
|
3/14/1992 |
“Say It and Play It” |
|
|
3/21/1992 |
“Harp, Scales” |
|
|
3/28/1992 |
“Singing in the Cracks, Song Sayer” |
|
|
4/4/1992 |
“Patter/Melismatic” |
|
|
4/11/1992 |
“Musical Criticism” |
|
|
4/25/1992 |
“Animals” |
|
|
5/2/1992 |
“Parallel #1” |
|
|
5/23/1992 |
“Jazz Arrangements of Classical Music” |
|
|
5/30/1992 |
“Parallel #2” |
|
|
6/6/1992 |
“Baroque Beatles Book/Welcome to the Jungle” |
|
|
7/4/1992 |
“Singing Instrumental Music/Up a 3rd, Down a 5th” |
|
|
10/24/1992 |
“Arrangement or Adaptation?” |
|
|
12/12/1992 |
“Concerto Grosso” |
|
|
9/12/1992 |
“Parental” |
|
|
10/3/1992 |
“Birthday” |
|
|
10/10/1992 |
“Lullabies” |
|
|
10/31/1992 |
“Death” |
|
|
11/1/1992 |
“Bass/Bass Lines” |
|
|
11/28/1992 |
“Heaven/Nutcracker” |
|
|
12/19/1992 |
“Christmas Presence” |
|
|
1/2/1993 |
“What Happens Between the Notes” |
|
|
1/9/1993 |
“Belly Up to The Bar” |
|
|
1/16/1993 |
“A Musical Aviary” |
|
|
1/30/1993 |
“The Bach of Gibraltar” |
|
|
2/20/1993 |
“And I Quote …” |
|
|
3/27/1993 |
“Ma & Pa Kettle Drum” |
|
|
2/27/1993 |
“The Big Chill-Out” |
|
|
4/3/1993 |
“About Bells” |
|
|
4/10/1993 |
“The Devil To Pay” |
|
|
4/17/1993 |
“Varieties of Organic Experience” |
|
|
4/24/1993 |
“Growing Up Binary” |
|
|
5/1/1996 |
“Dominant Characteristics” |
|
|
3/20/1993 |
“Humor Me” |
|
|
10/23/1993 |
“Leave the Meter Running” |
|
|
11/13/1993 |
“There’s a Composer In All of Us” |
|
|
9/4/1993 |
“Woe Is Me” |
|
|
1/22/1994 |
“You Are, and You Sing About, What You Eat” |
|
|
2/26/1994 |
“Tracks of Blood” |
|
|
3/12/1994 |
“Imitation Is the Sincerest Form” |
|
|
11/6/1993 |
“A Pair of Chords That Will Last” |
|
|
12/11/1993 |
“Splitting the Octave” |
|
|
8/12/1995 |
“The Fugal Gourmet” |
|
|
8/19/1995 |
“Fugues: Can’t Live With ’Em, Can’t Live Without ’Em” |
|
|
12/25/1993 |
“What You Please” |
|
|
8/26/1995 |
“Is There a Fugue in Your Future?” |
|
|
1/29/1994 |
“Varieties of Variation” |
|
|
2/5/1994 |
“Hold That Melody!” |
|
|
2/12/1994 |
“Hold That Harmony!” |
|
|
2/19/1994 |
“Bass-Based Variations” |
|
|
3/19/1994 |
“Weathering the Storm” |
|
|
9/9/1995 |
“H2O Above and Below” |
|
|
9/16/1995 |
“True or Falsetto” |
|
|
1/8/1994 |
“Pipes & All” |
|
|
3/5/1994 |
“Taking the Fifth” |
|
|
4/9/1994 |
“License or Larceny?” |
|
|
4/16/1994 |
“Say It and Sing It” |
|
|
11/5/1994 |
“Instrumental Exotica” |
|
|
11/12/1994 |
“What IS that Instrument” |
|
|
11/19/1994 |
“For He Heard the Loud Bassoon” |
|
|
12/10/1994 |
“Au Contraire, Mon Frère!” |
|
|
12/24/1994 |
“Back to Basics” |
|
|
9/3/1994 |
“Hold That Note!” |
|
|
10/1/1994 |
“Mutes and Mutability” |
|
|
10/8/1994 |
“A Many-Splendored String” |
|
|
10/15/1994 |
“Schickele Mix: The Movie” |
|
|
10/22/1994 |
“Do I Hear the Waltz? Well, Do I?” |
|
|
10/29/1994 |
“Beyond the Blue Danube” |
|
|
11/26/1994 |
“Let’s Get This Thing Over With!” |
|
|
12/3/1994 |
“Great Endings I Have Known” |
|
|
12/17/1994 |
“A Fargo Christmas” |
|
|
2/11/1995 |
“Why are Conductors Paid?” |
|
|
1/7/1995 |
“Words Fail Me” |
|
|
1/14/1995 |
“Clarinet Marmalade” |
|
|
7/29/1995 |
“Clarinet Plus” |
|
|
8/5/1995 |
“What it Takes Two to” |
|
|
7/8/1995 |
“Pendulum in White Tie & Tails” |
|
|
4/22/1995 |
“First Things First” |
|
|
4/29/1995 |
“Ah, Youth!” |
|
|
3/2/1996 |
“Masculine/Feminine” |
|
|
3/9/1996 |
“Cherchez la Femme” |
|
|
3/16/1996 |
“You Can’t Pin That On Me!” |
|
|
9/25/1996 |
“Climactic Conditions” |
|
|
5/13/1995 |
“Transitory Pleasures” |
|
|
6/3/1995 |
“There’s Nothing Between Us – We’re Just Good Friends” |
|
|
6/10/1995 |
“Prodigious Talents” |
|
|
1/20/1996 |
“He Hasn’t Been the Same Since” |
|
|
2/17/1996 |
“Under the Influence” |
|
|
3/23/1996 |
“I’ve Got a Right to Be Influenced by the Blues” |
|
|
3/30/1996 |
“All That Jazz: The Early Years” |
|
|
4/3/1996 |
“Good Enough for Jazz” |
|
|
5/8/1996 |
“Green Dolphin is a Two-Way Street, But It’s Got a Median Strip” |
|
|
5/15/1996 |
“Things Fall Apart” |
|
|
5/22/1996 |
“Background Information” |
|
|
7/24/1996 |
“‘And How Would You Like that Prepared Sir?’ ‘Harmonically, Please.’” |
|
|
7/31/1996 |
“Boom Chick & Beyond” |
|
|
8/7/1996 |
“‘And How Would You Like that Prepared Sir?’ ‘Rhythmically, Please.’” |
|
|
8/14/1996 |
“Folk Music, Schmolk Music!” |
|
|
8/21/1996 |
“The Whole Picture Includes the Frame” |
|
|
8/28/1996 |
“If It’s a Folk Song, It Isn’t Stealing” |
|
|
4/10/1996 |
“Exoticism Begins at Home” |
|
|
4/17/1996 |
“Leave the Playing to Us” |
|
|
4/24/1996 |
“Revenge of the Nerdy Instruments” |
|
|
5/1/1996 |
“We Never Make Misteaks” |
|
|
5/29/1996 |
“If It’s Worth Doing, It’s Worth Doing Again” |
|
|
6/5/1996 |
“And Now for Something Not Really So Very Different At All” |
|
|
6/12/1996 |
“Five Finger Exercises” |
|
|
6/19/1996 |
“Gin & Pentatonic” |
|
|
6/29/1996 |
“Vox Omnia” |
|
|
7/3/1996 |
“I Sing the Body Eclectic” |
|
|
7/10/1996 |
“The Ties that Bind” |
|
|
7/17/1996 |
“That Wierd & Intoxicating Effect” |
|
|
10/2/1996 |
“The Count Is 3 & 2” |
|
|
12/18/1996 |
“Keeping Christmas” |
|
|
10/9/1996 |
“Quintessential Music” |
|
|
10/16/1996 |
“My, That’s an Odd Meter!” |
|
|
11/13/1996 |
“Loud & Portable” |
|
|
11/20/1996 |
“The Harmonie Ensemble: Life of the Party or Music Molester?” |
|
|
1/8/1997 |
“Sonic Boomerangs” |
|
|
1/15/1997 |
“Opposition is True Friendship” |
|
|
2/5/1997 |
“The Reverbing of America” |
|
|
2/12/1997 |
“First Among Equals, and Don’t You Forget It, Buster” |
|
|
2/19/1997 |
“If You’ve Got It, Baby, Flaunt It!” |
|
|
3/12/1997 |
“SFX 1138” |
|
|
3/19/1997 |
“No Animals Were Harmed in the Making of This Program” |
|
|
4/2/1997 |
“Clothes Encounters” |
|
|
4/9/1997 |
“All or Nothing” |
|
|
4/16/1997 |
“Marcia Exotica” |
|
|
4/13/1997 |
“From the Marching Field to the Concert Hall in Two Quick & Easy Steps” |
|
|
4/30/1997 |
“Symphonic March Music: All the Fun and None of the Responsibility” |
|
|
5/7/1997 |
“Bang the Drum Slowly” |
|
|
5/14/1997 |
“Marches Are Your Friends” |
|
|
5/21/1997 |
“What You See Is Not What You Get” — a program about transposition |
|
|
5/28/1997 |
“Pick-Up Shticks” — a program about pick-up notes |
|
|
6/11/1997 |
“When Mr. Wrong Is Mr. Right: Part 1” — a program about whem musically incorrect is artistically right on |
|
|
6/18/1997 |
“When Mr. Wrong Is Mr. Right: Part 2” — a second program about when musically incorrect is artistically right on |
|
|
6/25/1997 |
“Mondo Glissando” — a program about musical sliding around |
|
|
10/15/1997 |
“ppff: The Dynamic Art of Music” — a program about piano and forte |
|
|
10/29/1997 |
“Hairpins for Really Big Hair” — a program about long crescendos and decrescendos |
|
|
11/5/1997 |
“Wallflowers of the Woodwind Family” — a program about woodwinds “that don’t get no respect” |
|
|
12/3/1997 |
“Polka Party at Pete’s Place” |
|
|
12/10/1997 |
“For Prague, With Love” — a program about one of Mozart’s most beautiful pieces |
|
|
1/7/1998 |
“Flea to Bee, You and Me” — A program about … er, bugs |
|
|
1/14/1998 |
“Yuck!” — More about … er, bugs |
|
|
2/4/1998 |
“Your Standard B-Flat Bugs” — Even more about … er, bugs |
|
|
2/11/1998 |
“Under the Weather” |
|
|
2/25/1998 |
“Forth & Back” |
|
|
3/25/1998 |
“The Gospel Accordion to Pete” |
|
|
4/1/1998 |
“Beer Drinker at a Cocktail Party” |
|
|
7/8/1998 |
“Accordion Hits the Big Time!” |
|
|
10/28/1998 |
“Day of Wrath, Day of Yuckyness” |
|
|
7/15/1998 |
“Every Witch Way” |
|
|
7/22/1998 |
“The End of the World is Nigh” |
|
|
12/16/1998 |
“Santa’s Mixed Bag” |
|
|
4/7/1999 |
“Schickele Mix Sports Radio” |
|
|
4/14/1999 |
“Ostinati Obbligati” — The first of three programs about minimalism |
|
|
4/21/1999 |
“P G & I” — The second of three programs about minimalism — this one about Philip Glass |
|
|
4/28/1999 |
“Close Encounters of the Canonic Kind” — The third of three programs about minimalism |
|
|
6/16/1999 |
“Pastorale, and How It Grew” |
|
|
6/23/1999 |
“Playing by the Rules” |
|
|
|
A program about programmatic music — music which tells a story or paints a picture |
|
|
|
A program which toys with the relationship between music and money |
|
|
|
“Old Wine in New Aluminum Cans” |
|
|
|
“A Jug of Wine, a Loaf of Bread, and Thou” |
|
|
|
“My Night at the Karaoke Bar” |
|
|
|
“The ‘Schickele Mix Home Delivery’ Service” |
|
|
|
“You Heard Me!” |
|
|
|
“What’s THAT Got to Do With It?” |
|
|
10/1/1997 |
“Guests in the Studio” |
|
|
|
“Classical Music: Say What?” |
|
|
|
“The Best of Schickele Mix, Part One” |
|
|
|
“The Best of Schickele Mix, Part Two” |
Send mail to webmeister@schickele.com with
questions or comments about this web site. |